how to create stills in davinci resolve color grading

The circle one at the top right of the shot above is called a Power Window in Resolve. Adding Masks and Motion Tracking Adding masks and motion tracking / David Bode The idea was not to do too much to the colours because the skin tones already look good, but to better draw the eye to the subject and enhance the narrative.

I used a very similar technique for the second shot.

Second Shot The second shot needs a little adjusting to match the first and include some targeted contrast / David Bode The gradient here is taking down the shadows and mid-tones a touch and making more of the highlights to draw the eye. If your camera moves, then you’ll likely need to do some kind of tracking or animation so that you don’t get the effect sticking in the frame and becoming obvious when the picture, or your subject, shifts. The last node (04) is a gradient with a keyframe animation to help it stay with the action as the camera moves a little in the shot. Keyframe Animation Adding a keyframe animation / David Bode In the third node, it’s the opposite of the one before, targeting the tones outside the highlighted area and pulling them down so they aren't distracting. Now Do the Opposite to the Background In the third node, tones outside the highlighted area are being pulled down so they aren't distracting / David Bode The idea is to isolate the main focus of the shot and boost the tones. In node 02, the player’s body and horn are being tracked, so the changes will focus on those. In the first node (01), there’s a little colour correction, what’s known as a Base Grade. Adding Contrast and Motion Tracking Isolating the Focus of the Shot and Tracking In the first node there’s colour correction, and in node 02, the player’s body and horn are being tracked / David Bode At first glance, the colouring might look a bit drastic, but once you see the clips played, you forget what it looked like before, so you can push it a little further. Colour corrected shots of a saxophone player / David BodeĪnd here’s what they look like without any colour correction: Shots of a saxophone player before the correction / David BodeĪ little bit of colour correction normalises the colours and helps them to work together, so let’s take a look at what goes into that. Colour Grading and Contrast in DaVinci Resolve: Neutral, Natural, and Beyond Colour Correcting Your Shotsįirst, here are two stills from some shots of a saxophone player that have been colour corrected.

How to create stills in davinci resolve color grading